THE DUCHESS OF MALFI
by John Webster
by John Webster
Image: Copyright Philip Mould & Company
Tue 2 - Sat 6 April 2019 at 7.30pm
The Church of the Holy Sepulchre, Sheep Street, Northampton NN1 3NL
CAST & CREW
Duchess of Malfi Nicola Osborne
Antonio Bologna James Lickman
Daniel di Bosola Alex Rex
Ferdinand, Duke of Calabria Matthew Fell
The Cardinal Martin Williams
Delio Megan Lucas
Cariola Bernadette Wood
Julia Becki Cockcroft
Castruccio | Madman David Chappell
Doctor | Pilgrim Ian Bradley
Lord Silvio | Executioner Chris Stobart
Servant | Officer | Madman | Pilgrim Mairead Kearins
Lady | Servant Di Wyman
Count Malatesti | Servant Kelly Golding
Marquis de Pescara April Pardoe
Roderigo | Executioner Jen Kenny
Servant | Officer | Madman Maggie Holland
Officer | Madman Tamsyn Payne
Director John Myhill
Stage Manager Andy Legassick
Director's Assistant Alistair Way
Production Design Tamsyn Payne
Lighting Design Samantha McNern
Lighting Operator Ella Drake
Rigging & Technical Assistance Megan Lucas
Costumes made by Pam Mann, Tamsyn Payne, David Pardoe
Wardrobe Clare Brittain
Hair & Make-up Rachael Pickering
Marketing & Programme photography Becki Cockcroft
Graphic Design Megan Lucas
Hospitality Maggie Holland
Box Officer Sue Howes
Front of House Masque Theatre members
Bookings Elizabeth Allan
"Cover her face; mine eyes dazzle…"
The Duchess of Malfi is John Webster’s masterpiece of revenge tragedy, written around 1613 when Shakespeare was writing his final play, and it was performed at The Globe with actors from Shakespeare’s company, including Burbage and Condell.
It feels more modern than that, however - despite being set in the early 1500s in Italy, its examination of power, corruption and sexual politics feels very relevant to us here and now.
Recently widowed, the Duchess of the title is urged by her brothers (a cardinal and a duke) not to remarry, as they want to re-assert their own control of her at a time when widows were the only women with any power or authority.
Instead, she secretly marries her steward Antonio, a capable and kind man who is willing to remain a secret husband and not demand rule over her.
Hatred and malice
Learning of this, her brothers plot their revenge, with the help of Bosola, who begins to doubt his calling as a spy and assassin in the face of the brothers’ relentless anger and venom.
Will their hatred and malice defeat their sister’s innocence and hope, or will they end up destroying themselves?
Lust, greed, love, fear, hope and anger all wage war in a play that is by turns funny, frightening, moving and disturbing.
Featuring Nicola Osbourne (Susan in 2018’s Woman in Mind) as the Duchess, with Martin Williams (Gerald in the same play, and more recently Jacob Marley in A Christmas Carol) and Matt Fell (Don Pedro in 2017’s The Rover) as her brothers the Cardinal and Duke Ferdinand, and James Lickman (Laertes in 2018’s Hamlet) as her lover Antonio.
The cast of 18 also includes both Alex Rex (as Bosola) and Tamsyn Payne (as an officer and a madman!), joint directors of Madam Bovary and Macbeth from last year, as well as Bernie Wood (Cleopatra in 2017’s Antony & Cleopatra alongside Matt Fell as Antony) as the Duchess’s maid Cariola, and Megan Lucas (director of last year’s Defying Gravity and Muriel in Woman In Mind) as Delio, Antonio’s trusted friend.
Violent and poetical, The Duchess of Malfi is often cited as one of the greatest tragedies of Renaissance drama.