Open-air Summer Show

A MIDSUMMER NIGHT'S DREAM

by William Shakespeare

A scene from A Midsummer Night's Dream

Summer 1945
Performed in the open air beside the lake in Abington Park, Northampton


CAST & CREW

Duke of Athens John Parkin
Egeus
Victor Wilkins
Lysander
Douglas Thomas
Demetrius
Martin Scott
Philostrate
James Welch
Quince
Ashley Baxter
Bottom
Alfred J. Judkins
Snug
R.J. Ward
Flute
Peter Johnson
Snout
Horace Smith
Starveling
A. E. Elvey
Hippolyta
Joan Fisher, Margaret Roberts
Hermia Pamela Owen, Joan Taylor
Helena
Muriel Thomas
Oberon
Anthony Buckeridge
Titania
Phyllis Perkins
Puck
Peter Bartlett
1st Fairy
Beryl Evans
2nd Fairy
Enid Burdett
Pease Blossom
Michael Smith
Cobweb
Alan Walker
Moth
Christopher Haggett
Mustard Seed
Richard Murby
Courtiers
Pamela Owen, Muriel Thomas, Joyce Hare, Mary Smith, Ruth Moore, Kathleen Harrison, Patricia Edwards
Elves Allen Brown, David Hutt, Michael Colbourne, Derek Roberts, Colin Hunter, D. Barber, Norman Russell, Geoffrey Lee, John Newitt, John Hendry, John Clipston, Keith Archer, David Johns
Fairies
Dawn Warwick, Pauline Robinson, Enid Allibone, Wendy Hillier, Christine Guare, Pamela Hardcastle, Doreen Gutteridge, Margaret Eyre, Mavis Hakes, Eileen Westley, Ann Tinsley, Barbara Brooker, Diane York, Janet Cooke, Jennifer Brown
Canopy Bearers
Reginal Elliott, Michael Stephenson, Cyril Turner, Robert Hicks

Producer Osborne Robinson
Stage Director
Charles F.G. Swallow
Stage Manager
Margaret McMain
Assistant Stage Managers
Irene Hadland, Robert Inglis
Stage Carpenter
F. Pratt
Wardrobe Mistress
Florence C. Brawn
Assistant Wardrobe Mistress
Evelyn M. Swallow
Business Manager
Phyllis Gascoyne

SEE ALSO:

PROGRAMME NOTES: The Pageant of English, rural life


Written during the winter of 1595, A Midsummer Night’s Dream is one of the crowning achievements of Shakespeare’s poetic and dramatic* genius.

How deftly he weaves the three different threads of the fairy pranks of Oberon, Titania and the mischievous Puck, the tangled loves of Helena, Hermia, Lysander and Demetrius and the rustic revels of Bottom and his fellow craftsmen into a magical pattern! “The reading of this play,” wrote Hazlitt, “is like wandering in a grove by moonlight.” indeed, the play is invested with a haunting beauty and a wealth af comic invention.

Surely no other play is so admirably suited for presentation in a pastoral setting! For it is redolent of the countryside where Shakespeare first admired nature and studied mankind.

Although he chose to describe the scene as Athens, it is, in truth, an English town, probably his beloved Stratford-upon-Avon. Duke Theseus goes a-hunting in an English Forest. Bottom and his cronies are no more than English yeomen and yokels. ln those days, remember, country folk believed in fairies and therefore Bottom, the imperturbable British Workman, finds no cause for amazement when the Queen of the Fairies falls in love with him.

Truly, Shakespeare’s love of the Pageant of English, rural life pervades and colours the whole of this lovely fantasy.

A scene from A Midsummer Night's Dream

Northampton Drama Club

From the programme for A Midsummer Night's Dream

Since its inception in 1935, the Northampton Drama Club has blazed an adventurous trail.

Its object has been to foster and encourage a vital and informed interest in the Drama by creative work. Whatever may be a member's particular interest, whether acting, production, stage management or study, the Club endeavours to provide scope for that member to enlarge his or her knowledge or practical experience of theatrecraft. Variety is the keynote.

Its internal programme as the bright and cheery club-room and “Little-theatre" just off Newland comprises numerous attractive features.

Throughout the war, the Club succeeded in keeping the flag of drama flying high.

A scene from A Midsummer Night's Dream